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dataHJ[1] = new data("images/collaboration/hj01_l.jpg","<font><strong>Jimmy Horn</strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;November 1999<br><br>&quot;I'm Jimmy Horn. I'm of the Chaui Band of the Pawnee Nation and I was born in Pueblo, Colorado. After the death of my father, my mother moved the family to Pawnee, Oklahoma to live close to our relatives. It wasn't easy, it was kind of tough, because I'm half white. That's probably where the body of my work comes from. Sometimes I lean towards the Indians side and sometimes I give the white side.<br><br>I studied art at Oklahoma State University and later at the University of Oklahoma. In the summer of 1998 I received a bachelor of fine arts degree. I use art as a way to draw attention to the Native American plight today, by producing images that are meant to speak to people's conscience without direct confrontation.&quot;</font>")
dataHJ[2] = new data("images/collaboration/hj02_l.jpg","<font>&quot;I'm here in New York to research pictographic art. I'm trying to find out how images were applied on hides, what kinds of paints were used, the materials used to apply the paints, and the binding agent that adheres this to the hides to last from the 1840's - 60's clear up to today, 1999. So that's my mission.&quot;</font>")
dataHJ[3] = new data("images/collaboration/hj03_l.jpg","<font>Tag I'm It<br>triptych, egg tempra, 4' x 3' closed, 8' x 3' open<br>1998<br><br>This piece represents pictographic images of my confrontation with an anglo man concerning my tribal tag. I used egg tempra; a mixture of acrylic, egg, and oil painted on masonite board. I used tin foil to represent the bumper where the triptych opens. I painted my tribal tag plate and hand rubbed the aluminum foil to simulate the bumper on my truck.<br><br>I was buying gas and a white man pulled up while I was at the gas station. I saw him pointing at my tag. He got out of his vehicle and said, 'Where'd you get that tag?' I told him from my tribe and that the money goes to help maintain the roads on the rez. He then said, 'How can you have that tag and drive on my roads while I'm paying taxes for them and you're not helping pay taxes?' I told him that my tribe doesn't receive any money from the federal government to maintain the roads and that I'm paying taxes on this gas I'm pumping into my truck. He went on and on and finally I asked him why was he so upset. What it came down to was he felt that I was getting something that he couldn't get.&quot;</font>")
dataHJ[4] = new data("images/collaboration/hj04_l.jpg","<font>detail of Tag I'm It<br>triptych, egg tempra, 4' x 3' closed, 8' x 3' open<br>1998<br><br>&quot;I portrayed myself with my right hand up with open fingers which represents non-intrusive behavior and I portrayed him with his right hand up with his fist clenched which represents intrusive behavior. This symbolism can be found on many pictographs.<br><br>I also used the color black because a long time ago black represented white so, when I use the color black it represents the white idea. That was the way the old people (elders) did it, so I tried to keep that perspective too. I painted the gas pump handles red, white, and blue to represent America; that this kind of conflict is still happening. The image painted inside my truck is our family's sign. My great, great grandfather Blue Hawk had that image on his shield. When he went into battle he was never wounded. I put this image in some of my paintings, it's kind of my little protection.&quot;</font>")
dataHJ[5] = new data("images/collaboration/hj05_l.jpg","<font>Tag I'm It<br>triptych, egg tempra, 4' x 3' closed, 8' x 3' open <br>1998<br><br>This piece was selected for a juried show at the University of Oklahoma, but was considered too controversial; they didn't want the interior part of the triptych shown.<br><br>This is the interior view. I wanted to portray, in words, what went on between us. It's basically a watered down version of what went on. The black background represents the white man. The white lettering represents what he said and the red, what I said. The end of this confrontation came when the gas station attendant came out and told me to just go. I asked her what about my gas and she told me it's free, that I shouldn't have to put up with this. I said thanks, jumped into my truck, and took off while the man just stood there.&quot;</font>")
dataHJ[6] = new data("images/collaboration/hj06_l.jpg","<font>Shared Visions<br>acrylic 18&quot; x 24&quot;<br>1999<br><br>&quot;In the foreground are the original Pawnee scouts taken off an antique black and white photograph. I decided to colorize it a little, to use the brightest and most vibrant colors I could, to portray them in a 20th - 21st century kind of mode. The people behind are contemporary warriors - navy, airforce, marine, and army. I put a woman standing on her own on the right to represent all the women.<br><br>The women are the ones who keep our language. If you've got to find our ancestors - they'll know, they're the keepers of everything. The women are like the corner stone - the whole fabric of the nation, so I wanted to put her in her own light. I made her face a little brighter and I changed the direction of the light on her clothing, so that she would really stand alone. I thought that was really important.</font>")
dataHJ[7] = new data("images/collaboration/hj07_l.jpg","<font>detail of Shared Visions<br>acrylic 18&quot; x 24&quot;<br>1999<br><br>&quot;The background is a representation of a pictographic image on buffalo hide that is in the Field Museum in Chicago.<br><br>The view from the window depicts the flat and desolate landscape at the Pawnee Agency in Oklahoma. That's what I saw when I was at the Pawnee Agency. I was upstairs where they keep the archives and that's what I saw looking out from the window there. Although there are trees and vegetation on other parts of the rez, in this particular area there's nothing growing; I wanted to show this, because this is not where we came from, this is where we were relocated to.<br><br>The Pawnee originally are from Nebraska where its wooded and hilly and where the Platte and Loup rivers run through.&quot;</font>")
dataHJ[8] = new data("images/collaboration/hj08_l.jpg","<font>Before Relocation 1873<br>mixed media lithograph 20&quot; x 29&quot;<br>1998 <br><br>This is a lithograph on handmade Indian paper (as in India) with buckskin on the lower left-hand corner of the diptych. Portrayed are pictographic images of a Pawnee village in Nebraska before it's relocatioin to Oklahoma in 1873.<br><br>I wanted to show today's children where we'd come from in an image they could relate to. This is a compilation of everybody's idea of what it might have looked liked; based on the memories of their ancestors.<br><br>The Pawnee are divided into four bands, Pitahauerat. Kitkehahki, Skidi, and Chaui. I'm Chaui. The little marks on the top right corner represent Pitahauerat graves. On the left is Kitkehahki, the lower right is Chaui, and in the middle is Skidi.&quot;</font>")
dataHJ[9] = new data("images/collaboration/hj09_l.jpg","<font>detail of Before Relocation 1873<br>mixed media lithograph 20&quot; x 29&quot;<br>1998<br><br>&quot;In the top left corner are two trading camps run by Willard and Pratt. I portrayed them in the 1870's style of clothing. Most of the pictographs I found represented the white man with black coats and hats; the color black representing white.<br><br>The Pawnees have moccasins and leggings that have the two-fingers design that represents the wolf ears because we are called the Wolf People. Whenever you see that design it always represents the Pawnee<br><br>To the right of the Pawnee are two horses, this represents many horses. The trees are many trees. The four band chiefs are standing with a peace-pipe in their right hands. Their headdresses are representative of each of their bands. The thick line at their feet depicts a stockade built to protect them from the Sioux. Each of the four bands is also represented by an earth lodge.<br><br>I made only ten of these lithographs. One belongs to the tribe. I regret that I didn't make more and keep one for myself.&quot;</font>")
dataHJ[10] = new data("images/collaboration/hj10_l.jpg","<font>Indians are Doctors II<br>hand pulled serigraph on Indian handmade paper 16&quot; x 12&quot;<br> 1998<br><br>&quot;This is a serigraph I made for my wife, representing her in the middle along with other Native American physicians and their patients. My wife had wanted some of my work to place in her office.<br><br>One day I was sitting in the playground waiting for her and I saw these toys that the kids play on. I started drawing a stagecoach and horses with elaborate colors. I wanted to portray a different view of Indians; to demonstrate that Indians can be doctors too.<br><br>I portrayed them in the traditional clothing of different tribes such as Cheyenne, Arapaho, and Sioux. I put the moose in Pawnee Straight Dance outfits. The kids really like that. I added a tipi with the Morning Star because it's an important symbol in Pawnee culture. The two snakes, the caduceus, represents medicine.&quot;</font>")
dataHJ[11] = new data("images/collaboration/hj11_l.jpg","<font>Blanket of Hate<br>2 color lithograph 20&quot; x 24&quot;<br>1998<br><br>&quot;This lithograph is a painting a classmate of mine did to retaliate against me when my print Resurrection won the Thompson Award for Excellence in Printmaking at the University of Oklahoma.<br><br>This particular classmate and I were in a painting class together; while I was doing Tag I'm It he was painting this. We had critiques during and after our work was done. His previous work consisted of a burning cross and things like that. For the last critique he did this huge painting, 4x6 feet, and it portrays his idea of American Gothic. He portrayed the farmer with pitchfork and instead of his wife, an Indian woman with a beer bottle in her hand. The title he gave it was Traditional Harmony - Why Can't We All Get Along. When it was my turn to critique it I refused to say anything. I told my professor I thought it was flat out racist and I was offended by it. The classmate and I got into an argument about it and we ended up hollering at each other. It was real intense.&quot;</font>")                                                                         
dataHJ[12] = new data("images/collaboration/hj12_l.jpg","<font>detail of Blanket of Hate<br>2 color lithograph 20&quot; x 24&quot;<br>1998<br><br>&quot;Later, I came back and took photographs of the painting. I thought I could make something beautiful out of all this ugliness. I made copies, cut it up and put them in the design of a Diné (Navajo) blanket. From far off this looks like a blanket but, when you come in close you can see all these ugly words and hateful images. I presented this piece in my lithography class and everybody really liked it. He became upset again. I'm glad not to be around him anymore.&quot;</font>")
dataHJ[13] = new data("images/collaboration/hj13_l.jpg","<font>Instant Grandma<br>oil on board 9&quot; x 14&quot;<br>1998.<br><br>&quot;This is an oil painting of my niece without her facial features. In place of her face I wrote 'Place Photo Here' for those people who have told me that they are part Indian, because their great great great grandma was an Indian Princess. We get this time after time.&quot;</font>")
dataHJ[14] = new data("images/collaboration/hj14_l.jpg","<font>Smokeshop Whiteman<br>oil on canvas doll 12&quot; x 3&quot;<br>1998<br><br>&quot;This is an oil painting on canvas that I made into a 3-D doll. My wife sewed it. It gives the Native view of the cigar store Indian. I took that American Gothic farmer to a different level. Instead of holding a pitchfork, I made him holding a cigar. I'm in the process of carving one of these out and it's about 6 feet tall.&quot;</font>")
dataHJ[15] = new data("images/collaboration/hj15_l.jpg","<font>Oklahoma in it's Native State<br>lithograph 10.5&quot;x 15&quot;<br>1998<br><br>&quot;This lithograph represents my view of how Native Americans are manipulated in Oklahoma to sell tourism to other states. After the government relocated the Native people to Oklahoma, they took away their first land allotment to accomodate other tribes. They ended up with surplus land again. So, they had a land run and people came from the east in droves to Oklahoma to claim this free land. In a magazine there is a an ad where they promote Oklahoma tourism. The ad is a depiction of a land run on Oklahoma City with white people on horseback with shopping bags and they're rushing to go shopping. The ad says, 'We've been rushing to Oklahoma since 1889.&quot;</font>")
dataHJ[16] = new data("images/collaboration/hj16_l.jpg","<font>detail of Oklahoma in it's Native State<br>lithograph 10.5&quot;x 15&quot;<br>1998<br><br>&quot;In Clinton, Oklahoma there is a 20 ft. plastic statue of an Indian man. He has his arm up in greeting, wearing no shirt and a pair of jeans with a buckle with the word HOWE on it. It is an advertisement for a car lot. HOWE can I save you money. HOWE can I make you a deal. I took photographs of it and used it in my piece. How can we as a people tolerate this manipulation to sell cars and tourism? This piece was my way to get back at the state of Oklahoma for using Indian people to sell their goods and services.&quot;</font>")
dataHJ[17] = new data("images/collaboration/hj17_l.jpg","<font>Resurrection<br>lithograph 11.5&quot; x 8&quot;<br>1998<br><br>&quot;This is a lithograph of Pawnee warriors in the pictographic style, along with contemporary cryptic writing. The stone was vandalized and my images on it almost destroyed, but I resurrected it and produced prints. The piece won the Thompson Award of Excellence in Printmaking. I originally made this for my mom; because she doesn't understand my work I wanted to give her something simple and decorative.&quot;</font>")
dataHJ[18] = new data("images/collaboration/hj18_l.jpg","<font>detail of Resurrection<br>lithograph 11.5&quot; x 8&quot;<br>1998<br><br>&quot;In the lithograph process you draw on stone with oil pencils. I drew out my figures and talced them down (applied talcum) to dry them and then put paper over the stone.<br><br>I'd left for spring break and upon my return I found the stone vandalized. Someone had dragged a sharp object across it and made a big scratch in the middle. They had tried to rub out my images - I had six going across and they had erased a few.<br><br>I decided that I'm not going to be denied. On the right I laid a black mark to represent my fist slamming down on the stone to say no matter what you do I'm not going to stop my work. When you write on the stone and print it, the result will print out backwards. I wrote all over, 'I hate artists' and 'We feel sorry for you&quot;. When you put this up to a mirror you can read it.<br><br>I entered it in the juried show and won. It's pretty cool because someone saw beauty in it regardless of the vandalism of my work.&quot;</font>")
dataHJ[19] = new data("images/collaboration/hj19_l.jpg","<font>&quot;I'd like to take this opportunity to thank everybody involved in selecting me, showing me around, and helping me. Everyone treated me so well, it was first class.<br><br>I never envisioned that I would be in New York City. It's a culture shock. I thought maybe my work would one day (come to New York), but not me.<br><br>I did a lot of research for my people. When I first came here I wanted to concentrate on pictographs and petroglyphs, but there wasn't much. I took it as an opportunity to photograph as many Pawnee objects as I could. We have many crafts people; I can take those photographs and measurements to them. They can remake these objects and have them in their own collections or put them in the tribal museum. It was an opportunity to help the people and not just myself.<br><br>My community project will include a slide show of the photographs to show to the elders and children what is available here. I also want to get some hides and have the children and elders draw on them to make a living history. When the kids grow up and get to be 60 years old they can look back on it and the elders will have a legacy too.&quot;</font>")

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