Native Modernism: The Art of George Morrison and Allan Houser
Native Modernism explores the work of George Morrison and Allan Houser, the most prominent U.S. artists of a formative generation in Native American art. Working from the mid-1930s to the late 1990s, each rebelled against ideas of what Native art must look like to evolve a personal and original style.
George Morrison was a painter of color and light. As he traveled from his birthplace in Minnesota to New York and beyond, his evolving interest in Euro-American art resulted in an individualistic and vibrantly colorful form of abstract expressionism.
Allan Houser is best known as a sculptor, and his sphere of success and influence was in the Southwest. Blending Native subject matter with a sleek modernist aesthetic, his elegant and refined art represents Native peoples in stone and metal with dignity and compassion.
Together, these men profoundly influenced later generations of Native artists.
-Truman Lowe, NMAI, 2004
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Untitled, ink and watercolor on paper, by George Morrison (Grand Portage Band of Chippewa, 19192000), Grand Portage, Minnesota, 1953. 11 x 8.5 in. Collection of Thomas J. Arneson. Photo by Robert Fogt
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