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GUILLERMO ROS ALCALÁ
Pre-Hispanic-style Dog, 1997
Clay: Molded, modeled, burnished
Colima, Colima |
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IRENE AGUILAR ALCÁNTARA
Market, 1997
Clay: Molded, modeled, polychromatic
Ocotlná de Morelos, Oaxaca |
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Mesoamerican artists have extracted, kneaded, shaped,
decorated, and fired clay into art for more than 2,000 years.
Today, artists in Atzompa, Oaxaca, Metepec, and other pottery-making
centers continue this rich ceramic tradition, producing a
range of ceremonial, ornamental, and utilitarian pieces.
Mexicos potters often decorate their pieces with images
drawn from historical, religious, and traditional stories.
Representations of plants and animals as well as figurative
designs connect their art to pieces produced by the indigenous
people of ancient Mexico.
Artists share similar methods for making pottery. But the
selection of shapes, designs, colors, and finishes varies,
allowing for individual creativity and unique regional styles
and specialties. More than 11 decorating methods are used,
including punteado: a technique in which artists use
a squirrels tail to paint small, uniform dots on clay
before it is baked in a kiln. In these ways, Mexicos
great master potters transform a humble raw material into
a colorful art form.
For more information,
please select here.
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Great master
Salvador Vázquez Carmona
(2:43) |
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